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Essential
Architecture- Chicago
Northeast
Biograph Theater |
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architect
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Samuel N. Crowen |
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location
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2433-43 N. Lincoln Ave.
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date
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1914
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style
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NeoRomanesque |
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construction
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red pressed brick and white-glazed terra cotta |
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type
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Theatre |
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Perhaps best known for its historical connection to the infamous gangster
John Dillinger, the Biograph Theater is also one of Chicago's oldest
remaining neighborhood movie houses. Designed in 1914 by Samuel N.
Crowen, an architect known for his classically detailed designs, the
Biograph Theater possesses many of the distinguishing characteristics of
the earliest movie houses, including a simple storefront-width lobby,
recessed entrance, free-standing ticket booth, and canopy marquee. The
building is finished with red pressed brick and white-glazed terra
cotta, and its construction typifies the first-generation movie houses
whose architectural style gave legitimacy and respectability to the
fledgling motion picture industry. Dillinger's death here in 1934, after
being named "Public Enemy No. 1" by the FBI, guarantees the Biograph's
place in Chicago crime history.
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On the evening of July 22, 1934 a dapper-looking man wearing a straw hat
and a pin-striped suit stepped out of the Biograph Theater in downtown
Chicago where he and two girlfriends had watched a film called Manhattan
Melodrama starring Clark Gable. No sooner had they reached the sidewalk
when a man appeared and identified himself as Melvin Purvis of the FBI.
He ordered the man in the straw hat to surrender.
Several shots rang out and the fleeing man in the straw hat fell
dead to the pavement, his left eye shredded by one of the shots fired by
the other agents who lay in wait. So ended the life of John Herbert
Dillinger, the most prolific bank robber in modern American history and
the general public's favorite Public Enemy No. 1......
or did it?
One of the most famous haunted theaters in the history of Chicago
is the Biograph Theater, located on North Lincoln Avenue in downtown
Chicago. It was here, in 1934, that John Dillinger supposedly met his
end.... The theater has gained a reputation for being haunted, but the
story of the ghost seen here actually revolves around the alleyway
outside. But the theater, and the surrounding businesses, have banked on
the criminal's name for many years. On the day after the fatal shots
were fired, the bar next door placed a sign in the window that read
"Dillinger had his last drink here". Theater patrons can examine a
window in the box office that describes the set-up of Dillinger by the
FBI. They can sit in the same seat where Dillinger sat nearly 65 years
ago and after the film, they can emerge into "Dillinger's Alley.... it
is here where the ghost is said to appear.
But what really happened in the final moments of Dillinger's
life? To answer the strange and perplexing questions surrounding his
possible death, we have to first look at his bloody and violent life.
On the evening that he was killed, Dillinger left the theater in
the company of Anna Sage (the famed "Lady in Red") and with another
girlfriend, Polly Hamilton. He had been hiding out in her North Halstead
Street apartment but for months he had been pursued diligently by Melvin
Purvis, the head of the Chicago branch of the FBI. Purvis had lived and
breathed Dillinger (and would, after the robber's death, commit suicide)
and had narrowly missed him several times at a State Street and Austin
Cafe; at Dillinger's north woods hideout in Sault St. Marie; and at
Wisconsin's Little Bohemia, where FBI agents recklessly killed a
civilian and injured two others.
It was finally at the Biograph where Purvis caught up with
Dillinger and put an end to his career.
The criminal life of John Dillinger started in 1925 when he held
up a grocery store in his hometown of Mooresville, Indiana. Pleading
guilty, he was sentenced to serve 10-20 years in prison while his
accomplice, who claimed not guilty, only received a sentence of 2 years.
Dillinger spent the next 8 years in jail but when he was released in May
of 1933, he robbed three banks in three months and netted more than
$40,000. Thus began Dillinger's wild spree of crime.
Dillinger was captured in September 1933 and imprisoned in Lima,
Ohio. In three weeks, his gang sprung him in a dangerous escape and
again were back to bank robbing. In January 1934, Dillinger shot and
killed a police officer in East Chicago, for which he was arrested in
Arizona and jailed in Crown Point, Indiana to await trial. He escaped a
month later, using a fake gun that he had carved from a bar of soap and
blackened with shoe polish.
He eluded the police for another month, shooting his way out of
an ambush in St. Paul and dodging the FBI near Mercer, Wisconsin.
Dillinger arrived in Chicago in late June and proceeded to rob a South
Bend, Indiana bank and kill a police officer and four civilians. In just
over a year, Dillinger has robbed six banks, killed two cops, two FBI
agents, escaped from jail twice and had escaped from police and FBI
traps six times.
In the process of all of this violence, Dillinger managed to
become an American folk hero. It was the time of the Great Depression
and here was a man striking back at poverty by taking from those who
could afford losing their money the most. Stories began to circulate
about Dillinger giving away much of his stolen money to the poor and the
needy. Were these stories true? Who knows? But the American public
believed it, which was more than the government could stand. Dillinger
had to be taken, and soon.
He had become J. Edgar Hoover's "Public Enemy No. 1"... and the
heat was on.
Dillinger knew that his luck could only hold out for so long and
in May of 1934, he contacted a washed-up doctor who had done time for
drug charges named Loeser. He paid him $5000 to perform some plastic
surgery on his recognizable face, getting rid of three moles and a scar
and getting rid of the cleft of his chin and the bridge of his nose. The
doctor agreed to the surgery and left Dillinger in the care of his
assistant to administer the general anesthetic. An ether-soaked towel
was placed over Dillinger's face and the assistant told him to breathe
deeply. Suddenly, Dillinger's face turned blue and he swallowed his
tongue... and died!
Dr. Loeser immediately revived the gangster and proceeded to do
the surgery. Dillinger would have no idea how close he had come to
death. Ironically, just 25 days later, he would catch a bullet in front
of the Biograph Theater.... or so they say.
When Dillinger walked into the theater that night he had been set
up by Anna Sage, who had taken him there at the request of the FBI. She
had promised to be wearing a red dress for identification purposes.
Sixteen cops and FBI agents waited over two hours outside the theater,
waiting for the unknowing Dillinger to exit. They even walked the aisles
of the theater several times to make sure that he was still there....
how could the clever gangster have not noticed them?
Finally, Dillinger left the theater and was met by Melvin Purvis.
He stepped down from the curb, just passing the alley entrance and tried
to run. He reached for his own gun, but it was too late... four shots
were fired and three hit Dillinger. The gangster fell, dead when he hit
the pavement.
Purvis ordered Dillinger rushed to nearby Alexian Brothers
Hospital. He was turned away at the doors as he was already dead and
Purvis and the police waited on the hospital lawn for the coroner to
arrive.
A mob scene greeted the coroner at the Cook County Morgue where
curiosity-seekers filed in long lines past a glass window for a last
look at Dillinger. Little did they know that the man they were looking
at may not have been the famed gangster at all.....
The scene at the Biograph Theater was also chaotic. Tradition
tells that passers-by ran to the scene and dipped their handkerchiefs in
the blood of the fallen man, hoping for a macabre souvenir of this
terrible event.
And it is at this theater where the final moments of John
Dillinger have left a lasting impression. It would be many years after
before people passing by the Biograph on North Lincoln Avenue would
begin to spot a blue, hazy figure running down the alley next the
theater, falling down and then vanishing.
Along with the sighting of this strange apparition were reports
of cold spots, icy chills, unexplainable cool breezes, and odd feelings
of fear and uneasiness. Local business owners began to notice that
people had stopped using the alley as a shortcut to Halstead Street.
The place certainly seemed haunted.... but is the ghost of the
man who has been seen here really that of John Dillinger?
I would hazard a guess to say that it is not!
Ever since the night of the shoot-out at the Biograph, eyewitness
accounts and the official autopsy have given support to the theory that
the dead man may not have been Dillinger. Rumors have persisted that the
man killed by the FBI was actually a small-time hood from Wisconsin who
had been set up by Dillinger's girlfriend and Anna Sage to take the hit.
There are many striking errors in the autopsy report.... the dead
man had brown eyes while Dillinger's were blue; the corpse had a
rheumatic heart condition since childhood while Dillinger's naval
service records said that his heart was in perfect condition; and the
man who was killed was much shorter and heavier than Dillinger and had
none of his distinguishing marks.
Police agencies claimed that Dillinger had plastic surgery to get
rid of his scars and moles, but also missing were at least two scars on
Dillinger's body!
And there is more conflicting evidence to say that the FBI killed
the wrong man...
On the night of the shooting, a local man named Jimmy Lawrence
disappeared. Lawrence was a small-time criminal who had recently moved
from Wisconsin. He lived in the neighborhood and often came to the
Biograph Theater.... he also bore an uncanny resemblance to John
Dillinger.
In addition, a photograph taken from the purse of Dillinger's
girlfriend shows her in the company of a man who looks like the man
killed at the Biograph... a photo taken before Dillinger ever had
plastic surgery! Could Dillinger's girlfriend have made a date with
Jimmy Lawrence to go to the Biograph, knowing (thanks to Anna Sage) that
the FBI was waiting for him there?
Some writers have suggested this is exactly what happened.
Respected crime writer, Jay Robert Nash, an expert on Dillinger,
reported in his book The Dillinger Dossier that Dillinger's girlfriend
and Anna Sage rigged the whole affair. According to Nash, Sage was a
prostitute from England who was in danger of being deported. To prevent
this, she went to the police and told them that she knew Dillinger. In
exchange for not being deported, she would arrange to have Dillinger at
the Biograph, where they could nab him. She agreed to wear a bright, red
dress so she would be easily recognized. While FBI agents waited,
"Dillinger" and his girlfriends watched the movie and enjoyed popcorn
and soda. When the film ended, the FBI agents made their move.
Nash believes however, that they shot Jimmy Lawrence instead of
Dillinger.
He also believes that when they learned of their mistake, the FBI
covered it up, either because they feared the wrath of J. Edgar Hoover,
who told them to "get Dillinger or else", or because Hoover himself was
too embarrassed to admit the mistake.
So, what happened to the real John Dillinger? Nobody knows for
sure, but some claim this American Robin Hood, who supposedly only
robbed from banks and gave some of his spoils to the poor, married and
moved to Oregon. He disappeared in the late 1940's and was never heard
from again.......
Special thanks to
http://www.weirdchicago.com/
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Biograph Theater
Chicago, IL
2433 N. Lincoln Avenue
, Chicago, IL
60657 United States
( map)
773.871.3000
2002 exterior view of the Biograph
Photo courtesy of Abby Johns
This Lincoln Park
neighborhood landmark is probably best known by Chicagoans as
the place where John Dillinger was shot and killed in 1934 after
attending a screening of "Manhattan Melodrama" starring Clark
Gable (allegedly the ghost of Dillinger has haunted the theater
ever since).
During the 70s, the balcony was converted into two small
additional screens. The original decor mostly lost, the historic
Biograph continued to show movies until 2001.
The theater reopened in 2002 under the Village Theatres chain,
which operated it until September 2004, when it again closed.
The Biograph was purchased by the legitimate Victory Gardens
Theatre company in 2004. The interior has been entirely rebuilt,
from a venue which could originally seat over 900 to 299 today
(which is about 100 more seats than Victory Gardens' old space
down the street, which will now be rented out to other area
theater companies). The facade was repaired and cleaned and the
marquee was rebuilt to resemble it's original apperance. (The
words "Victory Gardens" have replaced the word "Essaness" over
the neon-lit Biograph name, Essaness being the chain that
operated the movie house during the 1930s.)
The Victory Gardens Theater at the Biograph was opened on
September 28th, 2006, with Charles Smith's drama, "Denmark".
Contributed by Abigail Johns, Alan Van Landschoot, Bryan
Krefft
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links
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With special thanks to the City of
Chicago website,
www.egov.cityofchicago.org , for much of the info on this page.
Photos copyright City of Chicago. |
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www.essential-architecture.com
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